February, 2009

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Creatures of Story

Wednesday, February 25th, 2009

The Womb detailSeveral years ago my brother taught a class about stories.  Several weeks before the class he sent an e-mail to his friends and family asking them what to write something about why we tell stories.  As is often the case my brother and I happen to start thinking about the same things at the same time.  I had been teaching a course on the bible and had begun to get interested in the same question. Below is my response to my brother. I have left most of the personal details in, as they seem to tell the story of our relationship better than taking them out would.  

Dear Amir, 

Oddly, I have been thinking a great deal about your question recently.  The more I think about it, the more I have come to believe that we are to borrow a phrase from writer Mike Murphy,   we are “profoundly and mystically creatures of story.”  Or as our father would sing it “we are the stories that we tell”.  

On a simple level almost everything that we know comes to us through a story of some sort.  Our identity is a quilt of interwoven stories told by our family, our society, our culture, our media and the stories that we tell ourselves.  Our memories are a series of stories – narratives. We are both the narrators and the lead characters of our life’s story.   

The great story-teller Isaac Bashevik Singer wrote “When a day passes it is no longer there. What remains of it? Nothing more than a story. If stories weren’t told or books weren’t written, we would live like beasts—only for the day. Today, we live, but by tomorrow today will be a story. The whole world, all human life, is one long story.”

But stories are tricky.  They can connect or disconnect us.  We can tell stories (gossip) about people to shame them or hurt them.   Stories can deceive us or cause us to desire things that are destructive to our souls.  Stories can be in Dylan’s language  “advertising signs that con you in to thinking you’re the one that can do what’s never been done that can win what never’s been won, meanwhile life goes on all around you”

Meditation taught me that I was constantly creating my own personal reality through the stories I told about my  By paying attention to the stories that I was telling myself, I began to realize that they were only one set of stories among millions of other stories I could tell. I started to become the conscious narrator of my story.  

It is only when are gain the freedom to imagine and create the stories of our lives that we grasp the key to our liberation.  It is our creative and artistic consciousness that allows us to imagine new stories and escape from being a character in (the often tragic) storyof our lives.

At this point the story becomes enters the mystical-rabbit hole.  Our life, all of life, becomes a story telling itself. 

We are the characters and the story-teller at once.  Our minds have evolve to communicate the story of the universe.  We write books on quantaum physics, we sing songs about love, we draw great spirit maps on the walls of our temples, we scribble private diaries and draw notes in the margins of our notebooks. We are consciousness telling the story of itself.

Walt Whitman looking up at starry sky wrote:

When we become the enfolders of those orbs/ And the pleasures and knowledge of everything in them/ Sall we be satisfied then?/And my spirit answered NO, we but level that lift/To pass and continue beyond.

We are the poets of an expanding and evolving universe. We are its product and we are its voice.   We sing its song, which the song which is the song of our expanding and evolving consciousness. On the most basic level we are creatures of story.  

Our conscious mind, connects us to a non-dual awareness that is the source of our creativity.  When we get our doubting, neurotic mind out of the way we can tap into it and the story of the universe flows through us. We become the story-tellers of universe. 

And not only do we tell the story, but we re-write it.  Our creativity shapes the world around us.  We build temples and paint murals. We build bombs and tanks. We make movies and write symphonies. We convince people to kill and fight. Connected to the immense power of our creativity, our stories have begun to shape not only our fate, but the fate of our tiny corner of the universe. We have built the weapons that can destroy us and most life on earth.  We have built the technology to save life and to allow it evolve in unimagined new directions.  And so we must choose our stories carefully. 

Let us tell stories of love.  Let our stories open the minds and hearts of other sentient beings to their beautiful mind, nested as it is in non-dual mind.  Let our stories help them be conscious and creative story-tellers themselves.  

The songs of the biblical poets touched the mind of Rumi or who sparked the soul of Walt Whitman who taught Bob Dylan how to sing who inspired our Father.  Which inspired you to draw neurotic homunculi,  that have inspired me to draw mediations on light and dark, that in turn motivated you to teach a good class.

What will that class inspire in one sleepy, grumpy,obstinante tenth grader?

That is the story of life telling itself.  

The WombI don’t know if you remember the drawing that I did of a womb. On one side there was the umbilical chord tissue made of cells, made of DNA, made of atoms, made of quarks, made of dancing vibrating strings of probability which vibrate like guitar strings leaping in and out of being in a mysterious orchestra which underpins all of reality.  On the other side were the words and letters that are the building blocks of our collective consciousness our ability to tell the story of the universe.  

And this part I don’t understand so well, but for some reason, I believe that on a quantaum level our consciousness is theconducter of this orchestra. Or maybe not ( : 

But the paradox returns on itself.  Most people would look at what I wrote above and not really be interested in it all.  The only way to grab people’s attention and really make them understand something mystical is to tell them a good story.  Everybody loves a goodstory, because in some way we are all playing hide and seek with God (our mystical nature) and the story is the peek-a-boo moment.   

So good luck my brother.  You are a great teacher.  You have been a great teacher to me.  You stories are rich and earthy like the compost you love to smell.  They flow through your Bashevis Singer Jewish steam of consciousness brain and come through your enormous beautiful heart.  

Good luck with your class – tell me how it went.   

A Science of the Mind Journal

Sunday, February 22nd, 2009

 

The Science of the Mind Journal

The Science of the Mind Journal

About this time last year, I helped my brother think about teaching a semester long elective on the mind and the brain. What started as a series of long phone conversation turned into a course he ran for his students at the Compass School in Vermont. The course itself was co-taught by my brother and Beth White a science teacher at Compass. Both my father and I visited my brother’s school and presented. My father presented on his work with schizophrenics. I presented on spirituality and the brain. The students heard from other guest presenters and visited and visited several brain labs.

 

For their final project each student wrote and article about a topic related to the brain. The topics ranged from schizophrenia to the music and the brain. All the articles were written in a popular science style, similar to what you might find in the New York Times Science section. The articles were gathered in a journal that was printed and distributed throughout the school community.

Below is the introduction my brother wrote to that journal. You can also see a full PDF of the the journal.  

Faced with the challenge of designing an interdisciplinary elective class from scratch, Beth and I, both in our first year at Compass, felt a sometimes exhilarating, and at other times daunting sense of endless possibility. During staff orientation in August we managed to meet a couple of times for fifteen minutes between icebreakers and frenzied planning for our looming fall classes. In the late summer heat it seemed only remotely possible that March would ever arrive. 

So, with a sense of almost infinite remoteness we started batting around these ideas: “Oh, oh, I’ve got it! How about, a radio journalism class?” Beth suggested, rebounding from the bad news that a politics of food class had been done last year, and thus would be repetitive. We had recently discussed our shared affinity for public radio’s This American Life and on cue I launched into an Ira Glass impersonation: “I’m Ira Glass, from WBEZ in Chicago, it’s This American Life, this week, sixteen kids, their teachers, and an examination of what it means to build community.” We both liked this idea because it would require students to follow their passions, venture outside the classroom, and ultimately, to create an authentic final project—a radio piece that could potentially be aired on our local public radio station.

To our chagrin, however, this idea was not feasible. Our class was slated to be opposite the fourth annual and very popular Compass filmmaking elective taught by two seasoned Compass veterans. Assembling their raw footage into short masterpieces, the budding auteurs would leave the school’s editing computers unavailable for our imagined future Ira Glasses and Terri Grosses to hone their craft.

The fall came and went. Beth and I settled into the Compass community, slowly getting to know our students’ personalities, talents, and learning styles. But, as the snow piled high and the elective loomed ever larger, amidst the frenzy of planning and managing our second trimester classes, we had little time to meet. The end of second trimester was quickly approaching and we still hadn’t settled on a theme for the elective.

Around this time, on a snowy January day I was talking to my brother Adi on the phone about his vision for a high school curriculum that spoke to my belief in education that is hands-on, meaningful, and personal. His idea was simple—no curriculum is more directly relevant to any teenager’s experience than a window into what’s going on in his or her head. All students (or so we hope) have an infinitely complex and still developing interconnected network of cells in their craniums. Wouldn’t they all be wiser, kinder, and joyous if they had more insight into what in the world is going on up there?

I watched the snow pile high in my yard and continued to listen. In staccato bursts of excitement, Adi outlined a series of workshops and lessons designed to shed light on the mysterious universe of the human brain. Each module, as he called them, would focus on a different aspect of how objectively measured physiological phenomenon occurring in the brain give rise to the subjective flow of experience called mind. The curriculum flowed through questions such as: What is love

Think about it this way: Imagine that you’re walking through the supermarket late on a Tuesday night searching for a perfect yellow onion for lasagna. You pick it up, feeling its weight in your palm. At that instant the heaviness of the onion exerts a slight pressure on the nerve endings on the surface of your hand from which an electrical signal is sent up your spinal chord to your brain. The sensory motor area of your brain interprets this signal, allowing you to perceive the slight pressure of the onion’s mass on your hand. If at that moment your brain was being scanned by an fMRI machine, the image would reveal a clear pattern of activity in the sensory motor area of your brain—this is the objectively measured physical phenomenon occurring in your brain. However, inwardly, you would also perceive the weight of the onion on in your hand, and this perception probably would give rise to a slue of other mental and perhaps even emotional inner experiences. This inner experience, hard to pin down and measure, but born of objectively measured physical phenomena, is the subjective world of mind.

Holding the onion, the mind might conjure up an image of a baseball because of its similar size, shape, and weight. The generic image of the baseball would bring to mind a specific baseball that you held while standing on a field of damp freshly cut grass on a late spring day at the start of Little League season when you were twelve. This memory might then trigger an emotional response—perhaps a subtle sense of nostalgia and longing for your glory days as a Little Leaguer.

Being the skeptic that I am, I told Adi that this all sounded well and good, but so what? He and I are both sporadic, yet committed meditation practitioners. Meditation is all about using the mind to watch thoughts, feelings, and perceptions with a sense of unattached curious investigation. So, I already bought in to the idea of slowing down to watch the unfolding show in our minds from an inner subjective point of view. What, I wanted to know, is the benefit of parsing experience into discrete chunks of subjective inward experience and objectively measured bursts of electrical activity in the brain? Isn’t it enough to simply mindfully choose the onion, to buy it, cook it with love and attention, and eat the lasagna with gratitude and appreciation? Two months later, Beth, and I were at the Harvard Brain Tissue Resource Center, also known as the Brain Bank, with sixteen Compass juniors and seniors. Donning crinkly white Tyvek lab gowns, we gathered around a large rectangular table containing parts of several human brains that had been cured in formaldehyde for a couple of weeks. On the table lay one grayish white shiny hemisphere of a normal brain and a schizophrenic brain, and parts of healthy brain sliced into cross-sections. Tim Wheelock, assistant director of neuropathology at the Brain Bank, bubbled with enthusiasm as he passed around each hemisphere.

The group was awestruck. Some were a bit grossed out, but every face portrayed fascination as they held a human brain up close. This cold slimy white mass, resembling an overgrown wrinkly slug, was the seat of somebody’s personality, memories, volition, and emotions. Who was that person, and what happened to all their attributes at the moment of death? Did the memories and characteristics vanish from this mass of tissue? Is it now just a wholly inanimate blob, or does a trace of their essence remain left behind? Eyes wide with wonder, the students passed the brains from one to another like precious jewels, proudly identifying the hippocampus, amygdala, and other anatomical parts they had learned about in class.

Ever since that day, when I find myself in a room full of strangers, say at a wedding, lecture, or a concert, and I begin to feel a sense of disconnection or isolation from the group, I imagine a living human brain, inside each person’s skull. When I do this, I feel the divisions fade. I know that we are all linked by our common hardware—though our values, experiences, and opinions differ, they are born of nearly the same biology. When I imagine several hundred brains all pulsating with electricity, all sharing the same neurotransmitters, neurons, cortex, a limbic system, and a reptilian brain, I understand how important it is to continue offering experiences where students and educators alike can find deeper meaning in their education and lives through participating in a course like Science of the Mind.

The Game of School

Wednesday, February 18th, 2009

There is a simple test we can perform to find out whether or not our children are truly learning. We can ask them, not the usual question, “How was school today, Honey?” or “What did she teach you in your math class?” but rather, “Did you learn anything in school today that you really want to know more about?” If the answer is … usually no, you have cause for worry – even if your child brings home a good report card.

The Game of School by Robert Fried

I love this qoute. It gets at the heart of what I find consistently wrong in the education world. This is not just about how we teach, its about why we teach and learn at all.
Learning should be a process of exploring the world around us and within us. We are all born natural explorers. It’s great to have guides and teachers on this journey. But all too often teachers kill curiousity rather than encourage it.
I believe that teaching kids about their brains, must start with the question, what do you want to learn about your own brain. Looking inside changes the rules of the game